The Horror Vacui Series nourishes and evolves from the rainbow colors that try to sink into darkness by examining the chemical, physical and biological phases of individuals from birth to death. The series is an inquisition of the existence of the day where colors are coded and banned and takes its title from the fear of open spaces, kenophobia.
Photography is also evolving as a means of transferring what we see. The birth-death titles of the Horror Vacui Series establish a conceptual relationship between photography and digital intervention using Fujifilm Instax Film.
